Born 1430, Messina, Italy.
Died 1479, Messina, Italy.
«Sicilian painter active during the Italian Renaissance. His work shows strong influences from Early Netherlandish painting and, unusually for a painter from Southern Italy, he was influential on the art of North Italy, especially Venice. Around 1455 he painted the so-called Sibiu Crucifixion, which was inspired by the Flemish Calvaries and is housed in the Muzeul de Artǎ in Bucharest. Between 1465-1470, Antonello finished a Portrait of a Man now at Cefalù. His portraits are noteworthy for his characteristic use of the three-quarter view, typical of the Flemish School, whereas almost all Italian painters adopted the medal profile pose. In 1474, he painted the Annunciation, now in Syracuse, and the St. Jerome in His Study, one of his most famous paintings. Antonello's style is remarkable for its union, not always successful, of Italian simplicity with Flemish concern for detail. He exercised an important influence on Italian painting, not only by the introduction of the Flemish invention, but also by the transmission of Flemish tendencies.»